AestheticresolutiononRemembranceofThingsPast.Abstract:RemembranceofThingsPast>><<masterpieceofexhaustivelifeofMarcelProust.Readseveraltimes<<RemembranceofThingsPast>>canbelikethegroundingeneral,feelthehorsebringourinfiniteAmerica:Sale·Proustdescribesthebeautyoflanguage,detaileddescriptions,CharactersintheUnitedStates,thebeautyofartisticconception,thereisthatuniquelifeexperience,letuslikeaspringbreeze,andproximitytothebeautifulmood.thintoappreciateMarcelProust’sRemembranceofThingsPast>>outauniquecreationspiritualityandsuperbartisticskillsin<<Therefore,thisarticlefrom<<>>RemembranceofThingsPastdescribesthebeautyoflanguagetostart,furtherelaborationandresolveMarcelProust’sRemembranceofThingsPast“broughtustheCharactersinthebeautyofthe<<,imaginethebeautythatcarefulfissiondescription.initiateaimedatmorepeopletoworktogethertominingandappreciate<<RemembranceofThingsPastLove>>this1rareaestheticmasterpiece.Keywords:MarcelProust;<<RemembranceofThingsPast>,art,aestheticsIntroduction<<OfMarcelProust’sRemembranceofThingsPastYears>>calledmodernliteratureofthetwentiethcenturycarrythetripod,innovationknown.<<RemembranceofThingsPast>>markstheendofthetraditionalFrenchnovelandtheriseofthemodernnovel,MarcelProustcalledthewriterofaWorld“(“theworldoutof“referstoacentury,mayalsonotahereaderstocreateaperfectmood,creativethinkingandartisticstyleisuniquetotheworld.RemembranceofThingsPast,MarcelProust<<>>aestheticsresolve,forTheverymeaningofourliterarycreations.One,describesthebeautyofthelanguage1,metaphorSomepeoplesaythat<<ofMarcelProust’sRemembranceofThingsPast>>reasontostayintheworldandwaswidelyread,largelyduetohis2unrivaledexquisitenarrativedescriptionlanguage.Thispoint,Iverymuchagree.truethatMarcelProust’snovelapplicationofnarrativelanguageisnottoornateknown,butinbetweenthelines,wecanfeeltheharmonyoftheirstatementsandtheirmasteryofstylisticskilledabilitymayparodiesfromBalzacanditslong-termtempering,makinghischaractersallshinethecharacterdescribedinthelanguageorcustoms,orYa,orJunorpretty,verydistinctpersonality,suchas:HewasgorgeouslydressedgirlslikeaclusterofPennsylvaniaRose,theParisOperaasanunderseaaquariumawaiter“subisveryhigh,withablackhair,hisfaceliketheflutterofthepowderofthesamepeoplemoreeasytothinkofsomerarebirdsarenothuman.fromtheheadofthehallrantotheotherend,itseemsthatthereisnopurpose,reminiscenttoaSouthAmericanparrot.theselargeparrots,withitscolorfulplumagecolorandincomprehensibleunrestfillthelargecageofthezoo.“Inadditiontothebeautifullanguageofthenarrativeinthispassagecanalsobeseenthatthe“metaphor”Proustreferencedinthegirlswedescribe3the“nines”andawaiter,likethissentence,the<<RemembranceofThingsPast>>everywhere,whichwealsoseethe“metaphor”Proustismoreliketheapplicationofnarrativelanguageskillssuchas:Whenitcomestothehero’sgirlfriend,Andrea,wrote:“Thispatientfromothers,health,justlikesomeoftheplanetbythelightandsomeobjectsotherluminousstarsallowingonlycurrentpassed.”Anotherexample:“Everytwominutes,theflirtatiousAkinamioftheMrDexiaLvsi,likestronglytotheflocBiAntisameproblem,likeBeethovenprobingthephrase,accordingtothesameintervalrecurringpreludetoelevenaccompaniedbyexcessivelyornateThesongelevennewmotivationfortheleads,pitch,and‘thethemeofreproduction’song[1].“2,acomplexsentenceHelikestouseacompoundlongsentence,asentencecontainsseveralsubsidiarysentence,lengthya...