AnalysisofhistoricalthemescreativedancerevolutionOurcountry,thetotalcloselywithbrightred,itisnevertofadeflagcolors,uniteanationofsincerefaith,ourcountry,alwayswiththeindomitablespiritofthecloselyrelated,itistoresistthepowerofendlesssufferingsourcehasdemonstratedthegreatvitalityofanation,ourcountry,alwayscloselyassociatedwithforgeahead,itisforeverfightingasolidfoundation,todefinethetimelesseternalappealofanationwhichisthemostvaluableofourgreatspiritoftheChinesenationwealth,wehaveafullhistoryofsufferingandstruggle,asacontemporaryartist,fromtheendlesshistory,andcontinuetodrawfaithandhope.asifarevolutionintheDepartmentofthewar-torneraDavidmonumentalmasterpiece,inspiredcountlesscreatorscontinuetoexploreandask,whereisthespiritualhome?Whereistheendoffaith?withthereverenceandnostalgia,theauthorattemptstoanalyzethethemeofthedancerevolutioninthehistoryofcreation,andtrytodanceundertheredpassionateinterpretationandcreationofa1rationalanalysis.First,thespecificbackgroundoffaithParadiseModernandcontemporaryChina,fullofoppressionandresistance,aggressionandhistoryofthestruggle,manymartyrs,peoplewithloftyidealsfortheChinesenation’sindependencetogivetheirlife,theirloyaltytotherevolution,strongfaithgreatlyinspiredbytheworkofalargenumberofprogressivewritersweretocreatearevolutionaryarthistorythemes,creatorsofenthusiasm,fullofemotionfortherevolutionaryyearsofwriting,manypraisethegloriousimageoftheheroesandheroines,suchasmovies<<heroesandheroines>>Opera<<circumventWeihu>>so,themajorityofpeoplestilltalkedaboutthecollectivememory,whichhaveanaturalrival,balletdanceinthehistoryofChina’slandmarkwork,itisamodernballet-<<RedDetachmentofWomen>>,HainanIslandistheplacetodance,livelyshapedWuQinghua,HongChangqingandothercharacters,anordinaryfarmgirlabouthowtoresist,throughgrowthandexperienceandeventuallybecomeastoryofrevolutionaryfightersqualifiedasaoforiginal2ballet,‘RedDetachmentofWomen>>aboldandinnovativeattempt,firstinactiononthevocabularytouseforthetoeballetperformanceinthecore,butisselectedonthetechnicalskillsfrommartialarts,drama,etc.traditionalChineseelements,suchasHongChangqingjump,somersaultandspin,wecanclearlyreflectthischaracteristic.Inaddition,whencombinedwiththeneedsofthetimes,inthedancescene,thesworddanceforwomentojointhemilitia,gundancetrainingscenario,aexpresstheemotionalaspectsofdanceatmosphere,theotherhand,madethefirstattempttocombineChineseandWesternelementsintheprevailingcircumstances,causingawarmresponse,andsincetheepoch-makingsignificance.<<RedDetachmentofWomen>>ofthereforehaveasymbolicsignificance,animportantaspectisthattheeraofcolorwithastrongballetandmodernsymbols,duetoitsbirthduringtheCulturalRevolution,andwasvigorouslypromotedasoneofmodeloperas,socannothelpbutshowinartSomeextremeandoutofshapeprofiling,forexample,peoplestrivetocreatehigh,big,fullofpositiveimageofheroism,thefortitudeofwomen3reflectmoretenacious,whileignoringtheshapeofitsgentlecharmingfemininityinmanydancescenesdesign,changestotheperformanceofthestory,oftenalotofdrama-styleaction,limitingtheuseofdanceelements,but<<RedDetachmentofWomen>>whichisstillreflectedtherevolutionaryspiritofenthusiasmpersistentimpactononegroupofpeoplelater,theyThisisthebeginning,beganarevolutioninthehistoryofdancethemestoexplorecreativeway,totherevolutionaryspiritanddedicationtosearchfortheperfectfusionofartisticexpression.Second,theper...