AnalysisofChinaonthesubtleaestheticbeautyAbstract:InclassicalChineseculture,‘subtle’morefar-reachingimplicationoftheterm,referstowordsinboththeeuphemism,butalsoreferstoaspectsofwomen’sshydemeanordemeanor.Subtlebeauty,likeashychild,hiddenintheancientpoetrygivesmeaningendlesssurprises,hiddeninthelandscapepaintinggivesastunningmood,accommodatingfivethousandyearsinhistory,searchhistory,forgingsubtleasjade,plainfaintgloryofitsbloomthisfromtheoriginofChineseartbegantotalkabouttheaesthetic,focusingonthesubtlebeautyofsomein-depthanalysis,withsomeworksofart,thesubtlebeautyandamoredetailedinterpretationofthegraspoffuturetrends.Keywords:subtlebeauty,aesthetics,artFirst,theChineseaesthetichistoryChinesecultureisConfucianismasamainstream,multi-faceted,comprehensiveculture,whichisnotonlyournationalcharacteristicsofChineseculture,butalsoouraestheticsensethatthetraditionalcharacterwhichdiverseculturalstructure,iscausedbyourcomprehensiveaestheticandmentalityofthefo---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---undationofoursonsanddaughterstolaytheaestheticdirectionofthethickroots.standingheightofChina’slonghistoryandculture,asearlyasancientournationhascreatedaprototypeofartintheprocessofformationoftheChinesenation,betweendifferentethnicgroupsnaturallyformeddifferentaestheticsense,whichisthelonglifeofthisnationandotherfactorsofproduction,belongstothenation’suniqueaesthetic,theaestheticcharacterofourcountryrepresentativesofConfucianisminChinainthecivilizedworldleadingpositionhasbeen,istheessenceofChineseculture,hasalsobeeneulogizedinmanycountriestheworld,whichmakestheaestheticartofChineseculturehasbeenverygood.Sincetheeightiesoflastcentury,researchontheaestheticandculturaldevelopmentbasedontheneedsoftheneweraofsocialandpopularpublicopinion-orientedandhasundergoneaqualitativechange-neithertheabstractintothemoodofspeculativeaesthetics,contemporaryaestheticdoesnotmeetthespecificform,butinchangingtheparadigmoftraditionalaestheticstendtospeculative,basedonthetypeofadjustmentforthechangetomakeitmorewithChinesenationalcharacteristics.---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---Theearly1990s,thetermcultureasExoticaestheticlanguage,by激nYanatranslatedfromtheRussianlanguagesincethen,China’sownaestheticandculturalstudieshavesprungupovernight,‘discovered’indomesticcircles,andsincethenfromtheaestheticcultureboominginlessthantwodecades,theaestheticandculturaldevelopmentwithleapsandbounds,notonlytochangethetraditionalconceptofaesthetics,butalsogreatlychangedthetraditionalaestheticparadigm,aestheticartofChinadevelopmenthascreatedagreatimpact,atthetimefortheupcomingstudyintotheaestheticsofthenewcenturyopenedanewhistoryofthescreen.Inthe20thcenturyaftertheChinesenationalfolkaestheticandculturalcharacteristicsofaestheticresearchonmoreandmoreattention,withtheprogressofthe,tomaximizethenarrowspaceoftime,theaestheticofcontemporaryChinesecultureisdigestedandabsorbedalotofforeignculture,thesame,asmanyforeignculture,WesterncultureandthespreadofChineseculturebutalsotheaestheticelementsinavarietyofculturalhybridityinthecrosseachother.Thisformofexplorationoftheaes---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---theticharmonytoshapethecultureoftheera’smostworthyofthemostactiveconcernedaboutthecultureofresearch.Second,analysisofbeautyAfterth...