摘要摘要二十世纪八十年代后期以来，由于各方面的原因，现代诗在一定程度上与大众审美的脱节，现代诗坛日渐衰微。然而与此同时，和诗歌密切相关的音乐文学——歌词却日渐兴盛。现代歌词自身的世俗性、宣泄性等特点，决定了它比现代诗更容易被大众接受。众所周知，现代诗与歌词在艺术范畴、创作过程、审美途径等领域，既有重叠也有差异，两者并不能轻易相互转化。但从整体上来看，题材更广、传播更快流行音乐歌词，隐隐出现与中国现代诗互动、整合的走向。关键词现代诗；流行音乐；歌词；互动I本科生毕业论文AbstractSincethelateeightiesthetwentiethcentury,aspartofthepoet'sindividualpursuit,modernpoetrywiththepublictosomeextentofftheaestheticsection,thegradualdeclineofmodernpoetry.Atthesametime,thelyricsareflourishing.Modernpoetrymodernlyricsmoreeasilythanthegeneralpublictoaccept.ModernPoetryandthelyricsaredifferent,bothdifficulttotranslate.However,thelyricsandmodernpoetrygraduallybegantointegrate.KeywordsModernpoetry；Popmusic；Thelyrics；DevelopmentII目录摘要.......................................................................................................................IAbstract.................................................................................................................II绪论.......................................................................................................................1一、现代诗的衰微现状.......................................................................................2（一）现代诗地位的边缘化.........................................................................2（二）现代诗作品的泛滥化.........................................................................2（三）现代诗创作的业余化.........................................................................3二、对现代诗衰微成因的分析...........................................................................4（一）现代诗生存背景的问题.....................................................................4（二）现代诗创作队伍的问题.....................................................................5三、歌词的繁盛景象...........................................................................................7（一）流行歌曲的空前兴盛.........................................................................7（二）歌词影响的迅速扩大.........................................................................7四、对歌词繁荣成因的分析...............................................................................9（一）歌词的世俗倾向.................................................................................9（二）歌词的宣泄倾向.................................................................................9（三）歌词的指导倾向...............................................................................10（四）歌词的情节倾向...............................................................................10（五）歌词的审美倾向...............................................................................11五、现代诗与歌词的不同和相同.....................................................................13（一）现代诗和歌词的艺术范畴不同.......................................................13（二）现代诗和歌词的创作过程不同.......................................................13（三）现代诗和歌词的审美途径不同.......................................................13（四）现代诗和歌词的历史起源相同........................