AbouttheimpactofthecarnivalspirittothepopularcultureAbstract:Carnivalableancientandhasspreaditscharmstemsfromitsbearsprofoundhumanisticspiritandthepursuitoftheindividualtolife,liberty,andwhichwillundoubtedlybeabletogiveimpetuouscommercializationofpopularcultureinthehumanecaretoenhanceagreatrevelation.Theserevelationsadvocateofuniversalparticipation,deconstructionistoconstruct,ratherthantodeconstructdeconstruction,laughshouldbefromamoralvictory,andnotfunnyandfunny.Keywords:Carnivalpopularcultureofuniversalconstructlaugh.ThestrongvitalityofthecarnivalspiritCarnival,asatraditionandfolklore,hasalonghistoryanddeeprootsthatcanbetracedbacktotheprimitivesystemandoriginalthinking,andeventheancienttimes,therelicofancienttimestotemworshipintheWest,asafestivalfolkevolvedfromancientBacchanalia,Saturnalia,themeatsection,togrowanddevelopintheMiddleAges,theformationofadistinctive1culturecarnivalandotherfestivalsareinfectedwiththecarnivalcolors,stillcontinuedinaroundtheworld.carnivalnotonlyexistintheWestandintheEast,someinChina,theforefathersofthevariousritualwitchcraft,andlaterfolksuchasfolkShehuotournament,templefestivals,weddingsandwaxJiNuoallpenetrationofthiscarnivalmolecules.visible,“Carnivalisahumanlifehasacertainworld-widespecialculturalphenomenon.①carnivalspirithasbeenapartofpeople’sblood,saveditslegalceremonyinhumanculture,indispensablefactorinhumandevelopment,andplaysanirreplaceablerole.Today,duetothehomogeneityofmasscultureandfolkculture-belongtothepublic,asthecenterofcivilians-evenintheabsenceofthepublicsquaresofthecarnival-like,withthehelpofmodernmeansofscienceandtechnologyandmodernmedia,popularculturetocreateamassstage,aCarnival-likepublicsquares,extendinganewformofpopularcultureintheraveculture.Australia’sJohn?Doakconsidered“Carnivalactivitiesasaculturalmodestillstronglyinfluencepopularcultureinthe20thcentury,suchasHollywoodmovies,thetypeofpopularliterature,television,and2musicofthisculturehasbecometheinternationalizationofitsdevelopmentofprosperity,thewiderangeofinfluenceoflarge,exuberantvitalityofthecreativityoftherichinthehistoryofpopularculturemayrepresentanotherpeak,thefootcomparablewiththeearlymodernEuropeanculture.(2)InChina,theraveculturealsocausedtheattentionandinterestofanumberofpopularcultureresearchersandscholars.Becauseoftheraveculturehassuchalonghistoryandstrongvitality,carnivaltheoreticalresearchhasneverbeeninterruptedfromNietzsche’sDionysianspirit,Freud’stheinstinctivecatharsistheory,Maslow’stheoryofpeakexperiencetoPartridgesafetyvalvetheoryhasinvolved,thissystemprofoundlyexpoundedtheSovietUnionBakhtinPapvisionismainlyfocusedonthemedievalcarnivalculture.BakhtinresearchexpertsXiaZhongxian<<BakhtinCarnivalPoetics>>abook,concludeditsexternalthecharacterizeduniversaltheceremony,Leveldisappear,gag,theinherentcharacteristicscarnivalsenseoftheworld,duality,happyrelativityRussianscholarsbelieve:“Carnivalofthemostimportantvalueis:subversiongradesystem,advocating3equaldialoguespirit,adheretoopenness,emphasizingtheunfinishednature,variabilitydualityadvocatingalternatingwiththechangeofthespirit,destroyeverythingandchangeallofthespirit,deathwiththespiritofthenewborn.“③Thebutwebelievethatcarnivalisafreelife,ZhangXian,butwithageneralsenseoffreedom,carnivalprovidesgivesthefreedomofalifebyaffirmationandmeetnormalperceptualneedstosubvertanddeconstructexistingunre...