AnalysisofthecharmofwomanLakeofScentedSoulsItworksontheoperademandsarehigh:notonlydesirablebutalsotobetrue;bothlookgoodbutalsothought-provoking;botheasytounderstand,butalsohaveamoreprofoundphilosophy...andtodothis,playwrightartistsmusthaveauniqueunderstandingoflife,chooseauniquecharacteranddestinyofthepeople,tomakelifeadeepdiscerninggeneral,butalsoseektocomplementtheartformandcontent,accordingtoZhouDaxinplaywrightYaoJinchengnovelOpera<<OilMaker’s>>madeinthisareahaveworkedhardandachievedremarkablesuccess.Workswrittentwogenerationsofwomen’sfate,ifinaccordancewiththegenerallogiccanbewritten:abulliedchildbridesinthepast,andtodayhasbecomerichintypicalruralareas,sogetridofthetragicfateofher,andtaketheinitiativetohelpothers,tobecomeamodelpeople;anotheryounggirl,althoughthefamilyforcedhertomarryamentallyretardedperson,butshe1resolutelyresist,tooktheroadofself-reliance,ifso,maybelesscontroversial,butdonotintroducemorethought.<<OilMaker’s>>inthesmellandtheringwasnotsosimple,savoryeconomicallybetteroff,butcannotsimultaneouslyaccesspersonalfreedom,ontheonehandandshapeuphertwomarriedtotheEastisstillnoteasybreakfreeoftherope;theotherhand,althoughtherearesincereandrealfeelingsofloyaltyandmutualsupportintheircareers,buttherearesecularpressureofpublicopinion,cannotbecombinedwitheachother.Notonlythat,hermentallyhandicappedsonlivinginthesettlementoftheissueandre-takeIwalkeddowntheroad,usethemoneyto‘buy’atalentsuperiortohiswife,hisownhappinessinotherpeopleonthebasisofpain.Somepeoplesaythesmellisnotsocuteinthisfigure,itistrue,shedidisnottheembodimentofbeautyandgoodness,sheisavictimofoldideas,buttoharmtheoldconcept,butthisfigureistrue,shecanthinkofonlythisway.Henanmodernopera<<OilMaker’s>>(QuanZhenWangHongSao2decorated)Ring,too,despitehernewsocialemancipationofwomen,educationandpersonalindependence,butshegrewupinpoorfamilies,themother,herbrother’ssituationisadeepunderstandingandsympathy,soinordertosolvethedifficultiestobeherhomemarried,shewouldbeforcedtopromise.Shedidnotcompletelysuccumbtotheoldsociety,thefateofwomen,wanttogetridofthisfate,butatanotherwaytofindoutthefatefromtheexperiencesofthesetwoindividualscanbedifficulttoseetheemancipationofwomen.Ontheonehand,traditional,oldideasisnoteasytogetridof,ontheotherhand,themarketeconomyhasincreasedthequantityofmoney,spiritual,moral,beforemoney,ofteninaweakposition.Fromhereyoucanseetheprogressofsocietyisnotstraight.‘emancipationofwomenisameasureofthedegreeofliberationofthenaturalscaleingeneral.‘(Engels)<<OilMaker’s’revealthefateoftwogenerationsofwomencanleadthewaywearethinking.tosocialprogress,thefurtherliberationofman,artandliteratureshouldassumetheirresponsibilitytofurtherdevelopitsrole.3<<OilMaker’s>>artisticachievementliesnotonlyincharacterizationandthemeoftheopening,butalsoliesinthevividformoflifemadeapoeticcreation.Lettheaudienceenjoythebeautyinherentintheideathinkingit.Thisiscommoninrecentyears,thepursuitofmanyoutstandingworks,theseworkshavetheirowndifferentaestheticfeatures,suchasOpera‘stagnantwaterRipples>>and<<gold>>theuseofmodernstagetechnologyandlightingtechnology,thedramaandpaceoffreespacefurthercharacterizedbystrongplaytothefeelingsofthecharactersbemorefocusedandstrongandtheygivetheinfectionis‘knocking’type.Huangmei<<HuizhouWomen>>thecreationofprintsinthevillagefromXidibeinspired,thewholestyleofplayispicturesque,liket...