AboutplayingtheLiMaoHuanTaiZiexperienceinacornerbeadsKouUponreceiptof<<狸猫换太子>>Koucornerbead,Ithinkalot,ShanghaiPekingOperaTheatreShiMinteachervividlytothischaracterization,sayingthelinewiththesentence:“Coverthecap.”Peopleisabigtheater,andistheactor,buthowshouldIplayKoubeadstomakeaspeechlawtheaudiencetoacceptit?First,donottakeshortcuts,startfromscratchRehearsal<<raccoon>>drama,supposedlythereareshortcuts,canaccordingtotheShanghaiPekingOperaperformanceofvideotothesamerigidrigidlyappliedasaparrot,onebyonetolearn,butIdidnotdothat,butstartingfromscratch.First,readthescript,carefullylistentothedirectorexplained,readerssortthroughthelineofactionfigures.Readthescript,Icannotcalmmyheartnotonlytobeupsanddowns,interlockingattractedtothestory,andsonglyrics,catchydialogue,reallydeservestobefine,createdfortheactorsandlayagoodfoundation,I1deeplyfellinlovewiththecharacterKoubeadssheismixingintheupsanddowns,PrincePaul,infightingamongthebrutalstruggleofthecourt,suchaslivinginBanjunTigerwithaspecificenvironment,theformationofhergentle,kind,alert,honest,haveastrongloveandhateanddelicate,deeppersonality.isaccurate,detailedperformanceofthischaracter,IseriouslygeographicKoubeadsoutofactionline:thebeginningofthepalace,thefaithfulpaternitymain(Nishinomiya,whenafeelingtherewillbenew-bornprincedisaster,regardlessoftheevilPrincehiding,sympathyLiGoddess(OrientHouseencounter,andthedesignallowedtomeetmother,laiddownhislifeinordertoprotectPrincecometogriefthroughcombing,thinkingmoreclearly,tounderstandthefeelingsofthecharacterlevelKouChu,psychomotoralotofgoodforentryintotherehearsalandlayamoresolidfoundation.Second,donotseektheshape,butonlyquitesimilarShanghaiPekingOperaTheatreShiMinteacheristosing,read,do,danceissuperb,playingKoubeadsisimpeccable.Onebyoneandimitation,canonlyberigidly2appliedrigidshape,fleshandbloodcannotfigureKoubeadsreflectedinthisstage,solookingatthevideo,thefocuscomprehendtheir“God.”Theso-called“God”thatthecharacter’sinnermovements,thoughtsandfeelings,awarenessofthepotential.Koubeadsinacomplexenvironment,sheisLiuFei(Nishinomiyapersonalmaid.HaremmonopolypowerinthefaceofbentLiuFei,indulgeinalchemyignoringaffairsofstateandirascibleHengZhao,SongWangTianziand狸猫换太子mysteryofthemanufacturer,theuseoftheemperor’sHunkuiattempttomonopolizepower.NishinomiyaLiuFeiandambitioussidethattreacherous,sinistereunuchGuoHuai,andvirtuous,kindofOrientHouse,LiFei,affectionateyoungPrince,honestloyaltyofChenLinandsoon.Thecomplexrelationshipbetweenthecharactersandbrutalcourtfight,onlytogethermasterLiuFei(Nishinomiya’strust,butalsomixinginbetweenthem,incontradictiontothecusp,formingamulti-facetednatureofhercharacter,complexity,andtoincrease3performancethedegreeofdifficulty.ifonlylearnphysicalmovement,nottotaptheirinnermovement,canonlybesuperficialsurfaceofthings,thereisnoappeal,soIplayedKouZhu,ShiMindidnotlearntheteacher’sbodymovementsfirst,butthroughtheirownunderstandingofthecharacters,thepursuitofquitesimilar.aphysicalactioncanhaveavarietyofapproaches,ifthefeelings,thepostureisnotinplace,embodiedasenseofthecharactershavethin,firmlygraspthecharacteremotionallevel,emotionalupsanddownsofthepursuitofdetailed,clear,gestures,alook,amovement,arelaxationshouldhaveapsychologicalbasisforaction,theonlywaytodeeplyrevealthecharacter’sinnerbeadKouemotions,peoplecanmakefull,artisticappeal.Linkstofreedo...