新东方推荐的背诵的19篇新概念文章1．WhateverywriterwantsWhateverywriterwants作家之所需Howdoprofessionalwritersignorewhattheyweretaughtatschoolaboutwriting?Ihaveknownveryfewwriters,butthoseIhaveknown,andwhomIrespect,confessatoncethattheyhavelittleideawheretheythearegoingwhentheyfirstsetpentopaper.Theyhaveacharacter,perhapstwo;theyareinthatconditionofeagerdiscomfortwhichpassesforinspiration;alladmitradicalchangesofdestinationoncethejourneyhasbegun;one,tomycertainknowledge,spentninemonthsonanovelaboutKashmir,thenresetthewholethingintheScottishHighlands.Ineverheardofanyonemakinga'skeleton',asweweretaughtatschool.Inthebreakingandremaking,inthetiming,interweaving,beginningafresh,thewritercomestodiscernthingsinhismaterialwhichwerenotconsciouslyinhismindwhenhebegan.Thisorganicprocess,oftenleadingtomomentsofextraordinaryself-discovery,isofanindescribablefascination.Ablurredimageappears;headdsabrushstrokeandanother,anditisgone;butsomethingwasthere,andhewillnotresttillhehascapturedit.Sometimestheyeastwithinawriteroutlivesabookhehaswritten.Ihaveheardofwriterswhoreadnothingbuttheirownbooks;likeadolescentstheystandbeforethemirror,andstillcannotfathomtheexactoutlineofthevisionbeforethem.Forthesamereason,writerstalkinterminablyabouttheirownbooks,winklingouthiddenmeanings,super-imposingnewones,beggingresponsefromthosearoundthem.Ofcourseawriterdoingthisismisunderstood:hemightaswelltrytoexplainacrimeoraloveaffair.Heisalso,incidentally,anunforgivablebore.Thistemptationtocoverthedistancebetweenhimselfandthereader,tostudyhisimageinthesightofthosewhodonotknowhim,canbehisundoing:hehasbeguntowritetoplease.AyoungEnglishwritermadethepertinentobservationayearortwobackthatthetalentgoesintothefirstdraft,andtheartintothedraftsthatfollow.Forthisreasonalsothewriter,likeanyotherartist,hasnorestingplace,nocrowdormovementinwhichhemaytakecomfort,nojudgmentfromoutsidewhichcanreplacethejudgmentfromwithin.Awritermakesorderoutoftheanarchyofhisheart;hesubmitshimselftoamoreruthlessdisciplinethananycriticdreamedof,andwhenheflirtswithfame,heistakingtimeofffromlivingwithhimself,fromthesearchforwhathisworldcontainsatitsinmostpoint.JOHNLECARREWhateverywriterwantsfromHarper'sNewwordsandexpressions生词和短语confessv.承认inspirationn.灵感Kashmirn.克什米尔interweavev.交织afreshadv.重新discernv.辨明，领悟indescribableadj.无法描述的blurv.使...模糊不清yeastn.激动fathomv.领悟，彻底了解interminablyadv.没完没了地winklev.挖掘incidentallyadv.顺便说一下pertinentadj.中肯的flirtv.调情inmostadj.内心深处参考译文我的认识的作家寥寥无几，然而凡是我所认识和尊敬的作家，都立即承认在他们动笔时，不清楚要写什么，怎么写。他们心中只在一个或两个角色。他们处于急切不安的状态，而被当作是灵感。他们无不承认，一旦“旅程”开始，“目的地”常有急剧的变化。据我所知，有位作家花了9个月的时间写了一部关克什米尔的小说，后来却把整个故事背景换成了苏格兰高地。我从未听说过任何一位作家像我们在学校那样，动笔前先列什么提纲。作家在剪裁修改、构思时间、穿插情节、以至从头重写的过程中，会领悟到素材中很多东西是他刚动笔时所未意识到的。这种有机的加工过程往往达到不寻常自我发现的境界，具有难以言表的构思魅力。一个朦胧的形象出现在作家的脑海里，他左添一笔，右添一笔，形象反而消逝了；可是，好像还有什么东西存在着，不把它捕捉到，作家是不会罢休的。有时，一个作家一本书写完了，但兴奋仍不消散。我听说一些作家，除了自己的书外，别的书一概不读，犹如希腊神话中那位漂亮的少年，站在镜前，不能辨认...