AboutthereformofChinesepaintingmaterialsonthenetworkmaybeWritepapersnetwork:Chinesepaintingisthemeaningofthiswordisdifficulttodefine,modernfamouslandscapepaintersMr.BaiXueshiwasinthe‘Chinesepaintingtechniques》》abookhasbeendividedintothemesaccordingtotheChineselandscapepaintingflowersandbirds,accordingtolanguageintometiculousandfreehanddrawing.ThisclassificationofteachingincontemporaryChinesepaintingingeneralismorecommon.Mr.BaiXueshiareasmainlytheTangDynastyChinesepaintingonsilkorpaperaftertheclassicstyleasareferenceobject,ignoringthepre-Tangmuralsandawiderangeofdevelopmentfolkart.thatthelimiteddomainofChinesepaintinghistoryinasmallspace,thiscognitiveapproachtoChinesepaintingforthousandsofyearsoftraditionhavebeenseparated,issummarizedintheone-sidednesswithastrongconnotationofChinesepaintingandmodernassumptionsnature,tothelatertheoryofmeaningcausedindescribabledifficulties.RicepapermediaasoneofthetraditionalChinesepaintin---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---g,ithasbasicallybeenthematerialoftheexcavatedfreehandpaintingandexhausted,hadtoadmitthatthemodernmasteroflandscapesandflowersandbirdsBinhongmasterQiBaishiisricepapermaterialofthetechniquesembodiedinthepeak,butalsosadtoseethatthisisthelastpeak.ricepaperonlytoendthearrivalofcontemporaryChinesepaintingmaterialsinnovationinanotherwayathomeforChinesepaintingmaterialstoexplore,Ihastygeneralizationtworoads,oneistheextensiveuseofmodernpaintingmaterialsandacombinationoftraditionalChinesepaintingtoexpressthethemeoftraditionalorientalartofthespirit,ofwhichTaiwan’spioneerartistLiuKuo-sungcanbesaidofthefigure,heisverysensitivesenseoftextureonthescreen,thescreenappearstotherichtextureanddrawingpaperinhistrial,watercolorpaper,canvaspaintinglandscapes,andevenproducetheirown‘nationaltippingpaper.’mainlandChina,therearemanyartistssuchassea-Japanese-Chinese,ChenLaoRailway,Huandstupidandsowasthisapositiveattempt,inthematerialchangeinrepresentative,SeainKoreafromJapanesetoChineseuseofpaperandacrylicandgouacheonpaperleathercover,trytocoveruptheinkonthepaperinfiltration,hasreachedtheinkblendingpurposes.ChenLaoIronisnothingtofear,whattospendallinkwatercolorgouachecem---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---entinscreenalargenumberofmaterials,theeffectofcollisions,Huandstupidistheuseofricepaperandacrylicfoldaccumulationofthepaperrepeatedthetensiontothelimit.ThesecondistheimportanceofheritagematerialsofChinesepainting,Chinesepaintingcarefullyexpandthecoloroftheextension.representationofthisartistisTangYongLi,激aying,etc.,TangYongLiinhismeticulousre-colorworks《《TangTreasures》》usedalotofmineralsincolor,richsenseoftexturetothescreenanewawarenessofthemeticulousre-colortheancientgenre.激ayingisthebestPaintingChinesecontemporaryhome,althoughhealsoborrowedsomeofthemineralsthecolortextureeffects,butwithaverycautiousandverysubtlecontrol,nowonderthatmanyengageinmeticulouspainter,havenotfound.Thesetworoadsbesuperiortooearlytojudgenow,butItendtosecondpath,becauseroadsinthematerialontheformerfar-fetchedtoomanyfactors,mostoftheartistsonthephysicalpropertiesofmaterialsandpaintingthereisnocomprehensiveunderstandingofchemicalproperties,butfreeofthevariousmaterialspilinguponthescreen,worksmostofthecollectionisnot---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---conduciveto...