THESHAWSHANKREDEMPTIONbyFrankDarabontBaseduponthestoryRitaHayworthandShawshankRedemptionbyStephenKing1INT--CABIN--NIGHT(1946)Adark,emptyroom.Thedoorburstsopen.AMANandWOMANenter,drunkandgiggling,hornyashell.Nosooneristhedoorshutthanthey'reallovereachother,rippingatclothes,pawingatflesh,mouthslockedtogether.Hegropesforalamp,triestoturniton,knocksitoverinstead.Hellwithit.He'sgotmoreurgentthingstodo,likegettingherblouseopenandhishandsonherbreasts.Shearches,moaning,fumblingwithhisfly.Heslamsheragainstthewall,rippingherskirt.Wehearfabrictear.Heentersherrightthenandthere,roughly,upagainstthewall.Shecriesout,hittingherheadagainstthewallbutnotcaring,grindingagainsthim,clawinghisback,shiveringwiththesensationsrunningthroughher.Hecarriesheracrosstheroomwithherlegswrappedaroundhim.Theyfallontothebed.CAMERAPULLSBACK,exitingthroughthewindow,travelingsmoothlyoutside...2EXT--CABIN--NIGHT(1946)2...torevealthebungalow,remoteinawoodedarea,thelovers'criesspillingintothenight......andwedriftdownawoodedpath,thesoundsofruttingpassiongrowingfainter,minglingnowwiththenightsoundsofcricketsandhootowls......andwebegintohearFAINTMUSICinthewoods,tinnyandincongruous,andstillwekeepPULLINGBACKuntil......acarisrevealed.A1946Plymouth.Parkedinaclearing.3INT--PLYMOUTH--NIGHT(1946)3ANDYDUFRESNE,mid-20's,wirerimglasses,three-piecesuit.Undernormalcircumstancesarespectable,solidcitizen;hardlydangerous,perhapsevenmeek.Butthesecircumstancesarefarfromnormal.Heisdisheveled,unshaven,andverydrunk.Acigarettesmoldersinhismouth.Hiseyes,flintyandhard,arerivetedtothebungalowupthepath.Hecanhearthemfuckingfromhere.Heraisesabottleofbourbonandknocksitback.Theradioplayssoftly,painfullyromantic,tauntinghim:Yousteppedoutofadream...Youaretoowonderful...Tobewhatyouseem...Heopenstheglovecompartment,pullsoutanobjectwrappedinarag.Helaysitinhislapandunwrapsitcarefully----revealinga.38revolver.Oily,black,evil.Hegrabsaboxofbullets.Spillsthemeverywhere,allovertheseatsandfloor.Clumsy.Hepicksbulletsoffhislap,loadingthemintothegun,onebyone,methodicalandgrim.Sixinthechamber.HisgazegoesbacktothebungaloHeshutsofftheradio.Abruptsilence,exceptforthedistantlovers'moans.Hetakesanothershotofbourboncourage,thenopensthedoorandstepsfromthecar.4EXT--PLYMOUTH--NIGHT(1946)4Hiswingtipshoescrunchongravel.Loosebulletsscattertotheground.Thebourbonbottledropsandshatters.Hestartsupthepath,unsteadyonhisfeet.Thecloserhegets,thelouderthelovemakingbecomes.Louderandmorefrenzied.Theloversarereachingaclimax,theirsoundsofpassiondegeneratingintorhythmicgaspsandgrunts.WOMAN(O.S.)Ohgod...ohgod...ohgod...Andylurchestoastop,listening.Thewomancriesoutinorgasm.ThesoundslamsintoAndy'sbrainlikeanicepick.Heshutshiseyestightly,wishingthesoundwouldstop.Itfinallydoes,dyingawaylikeasirenuntilallthat'sleftistheshallowgaspingandpantingofpost-coitus.Wehearlanguorouslaughter,moansofsatisfaction.WOMAN(O.S.)Ohgod...that'ssooogood...you'rethebest...thebestIeverhad...Andyjuststandsandlistens,devastated.Hedoesn'tlooklikemuchofakillernow;he'sjustasadlittlemanonadirtpathinthewoods,tearsstreamingdownhisface,aloadedgunheldlooselyathisside.Apatheticfigure,really.FADETOBLACK:1STTITLEUP5INT--COURTROOM--DAY(1946)5THEJURYlistenslikeagalleryofmannequinsondisplay,pale-facedandstupefied.D.A.(O.S.)Mr.Dufresne,describetheconfrontationyouhadwithyourwifethenightshewasmurdered.ANDYDUFRESNEisonthewitnesssta...