AdiscussionontheChangbaiMountainthemedocumentariestriplerealmQingDynastyruWangGuowei>><<HumanWords:“theancientandmodern,thecauseofNationalChengKungUniversity,theUniversityasked,shallpassthroughthethreekindsoftherealm:‘LastnightwesterlywitheredBishuthetoweralone,overlookedtheendlessdistance’.firstenvironment.‘pineenddonotregret,toeliminatetheIraqipeoplewereemaciated.’Theenvironment‘PeoplelookforhimhundredsofBaidu,whenIlookback,thatpersonisin,thelightsdim’.Thethirdborder.“ChangbaiMountainthemedocumentary,Ibelievethatitscreationhasgonethroughevolutionandsuperpositionofthebeautyofthescenery,naturalbeautyandhumanbeautytriplerealm.Realmofoneof:<<ChangbaiMountainFourSeasons>>sceneryofAmerica1980s,widelystudiedunderthethemeofdocumentaryartformshavealsodevelopedthefirstdevelopmentisthebeautifuldocumentary.[1]duringthis1periodofscenerydocumentaryusingtheartofcommentaryplusscreenplusbackgroundmusic.themefirst,andcommentarywithastrongsubjectivecolorandcreatorofthecreationbeforetheentiredocumentarysetsomekindofemotionaltone.Theseemotionalprogramhassometendencyintheselectedtheme,andwrittencommentary.DirectoroftheChangbaiMountainFourSeasons>>CCTVZangShuqingtheearly1980s,isanintroductionChangbaiMountainandpraisetheChangbaiMountain,knownintheliteraryprosescenerydocumentarymasterpieceThefilmisdividedinto<<springofpraise“,<<summertour>><<Autumn>><<winterWing>>foursets,andrhetoric,thewelterofliterarygraceandthewonderfulpictureoforganicblendofsoundandpicture,andMaotoshowthechangesofthenaturalbeautyofChangbaiMountainFourSeasons.Forexample,theauthorsdepictthepeaksoftheChangbaishanTianchilakestandingaroundinthefilm,liketheflowofindomitablespirit,stretchedoutbothagianthand,theTianchipamperedmorethantwothousandmetersof2altitude,forthepeopleoftheworldtoappreciatethebeautyAnotherexampleistheperiodofTantofog,thecommentarydidnotsticktothescreen,butgentlymovingscreen,expandtheromanticassociations:“Ihavealwayslikedtheclouds,andverynaivetothecloudstogetherwiththecolorofGod,thatthecloudisadragon’smouthOhcomeouthot,andtheonlyfairyinthemistandoutonthecloudsandnowanewunderstandingofthemoment,thecloudsdriftedbesideme,stillfeelalittlewonderlandoftaste.“themindsofviewerswiththecommentarysoundstellvibrantrather,gettingbetter,andseemstolikebeingbackintheChangbaiMountainclouds.alonghistoryofChineseancientpoetryandculturalmixtothenarrationofthecreation.Forexample,theauthorsinvokeseveralOriolesfightwarmtreeandleafthebottomOriolesOriolestwice“intheversetodescribetheearlyspringthemelodioussoundofbirds.Ofcourse,theFourSeasons>>in<<ChangbaiMountain,thedirectordidnotcompletelystayonthepurenaturalbeautyoftheshow,butfortheseasonsoflifeexperienceanduniquenaturallandscapes3inChangbaiMountain,socialcustoms,historyandculturecombinetocreateathickpaintingenvironmentpoetry.Forinstance,infilmdirectingfromtheChangbaiMountainsleavesLenovototheanti-Japaneseflames,thinkoftheWarofResistanceAgainstJapanthearduous’stragichistory,thinkoftheChinesenation,indomitableandheroiccharacterandthenpushandChangbaiMountainChangbaiMountainleavesallnaturallandscape,vegetation,whererocksareintegratedintotemperamentandspiritofthe“hero”,withitsdeepideological,thisnaturalstateoftheChangbaiMountainsublimationintoanextraordinaryrealm,givingtheleftadeepimpression.TherealmII:<<>>awayfromthedesireandthenaturalbeautyThe1990s,originatedintheWes...