Chinesecontemporaryaestheticsnon-aestheticplaytheircauses1950-80’sartandaestheticsspiteencounterwinter,butalsoYangboMountainDew,attractedwideinterestwithahighdegreeofenthusiasm,andeventheformationofauniversalaestheticthought.Marginalizationofseriousartandaesthetics,longdeathdifficultchasedifficultamazinglydream.however,infact,Chinesecontemporaryaestheticsboomoccurrednotsimplybecauseoftheartandaestheticsoftheirownsake,butbecauseofitslinktoactasaspecialtimeinChinesecontemporarythinkingorthinkingofpaintingduringthisperiodalayer“aesthetic”color.“aesthetic”hasbecomeanimportantfeatureofthehistoryofideasorlinks.Chinesecontemporaryartandaestheticsofnon-aestheticplayphenomenoniscloselyrelatedto,ontheonehand,andthecharacteristicsofitsneedofexternalreality,ontheotherhand,aestheticsinherentcharacteristicsintrinsicallylinkeddepthcombingandanalysisofChinesecontemporaryaestheticencounter---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---understandingofthehistoryofChinesethoughtthatstagecharacteristics,andliteratureonthemulti-functionalandaestheticshapedinordertoeffectivelycopewiththenatureofartandaestheticconditionshavesignificance.Whenpeopletalkaboutthetopicofintellectualhistory,artandaestheticsmoreoftenexcludedfromtheoutsideandviceversa,todiscussliteraryandartisticbeautyhours,despitealsocomestoideologicalbackground,butalwaystwodividedclearlyThereasonisverysimple,literatureandart,andaesthetics,historyofbelongingtospecialcategoriesForexample,whenaddressingthe“CulturalRevolution”totheideologicalcourseofthe1980s,peopletendfromovertideologicalemancipationmovement(suchasthepracticeoftestingtruthstandard“discussions)andhumanitariandiscussionsdirectlyenteranimportantstageinmodernChinesethought-”CulturalFever“intermsofthewaveofartandaesthetics,andwasinfullswing,andneverasanintegralpartofthehistoryofideas.Infact,evenbeforethebigdiscussionofthecriterionoftruthalready---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---germinationandcontinuedintotheartandaestheticcrazeofthemid-1980s,isitselfanexpressionoftheideologicalemancipationmovementandhumanitariandiscussionsQichaoRoad,“where‘thinking’noneofthecan‘tide’,‘boomers’who,usea‘grace’ofvalueappropriatetotheireraalso.“Mountain”Aesthetics“isthefulltimecareoftheartof”thinking“andaestheticsTide.Beforetheperiodoftheideologicalemancipationmovement,intellectualfocusonexposingandcriticizingthe“CulturalRevolution”started“GangofFour”,butstillideologicaldiscoursemodeofthe“CulturalRevolution”commenced.“Twowhatevers”isepitomized.《《Practiceisthesolecriterionfortestingtruth》》publishedsixmonthsago,called《《teacher》》alreadyadventofthepureliterarymagazinesofthehighestlevelinChina,openedapreludetothe“scarliterature”Eveninpurelyideologicaltheory,contenthasgonefarbeyondthecriticismofthe“gangoffour”hitanegationofthe“CulturalRevolution”thethedeepeningdevelopmentasa“scarliterature”and---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---“reflectionLiterature,aswellassynchronizationopen-and-coming”Misty“and”StarsExhibition“furtherexpandthedepthholistichistoricalreflectionfromthelevelofhumannatureandhumanexistence.despitetheyearevenbehindthefactioncriticsconferredMistytotheso-called“newaestheticprinciples,the;horndisdainforthespiritofthe,butalsodisdaintotheperformanceo...