AnalysisofthefolkloreofthelegislationtoprotectPaperKeywords:folklorelegalprotectionofcopyrightlawAbstract:Withthesocialdevelopment,China’sprotectionoffolklorehasbeenincreasingattentiontobeonthecontent,protectionproblemsandsolutionstobeanalyzedinthehopeofourfolklorerelatedsystemstheintroductionofbenefits.First,thecontentoffolkloreanalysisChina’scurrent<<CopyrightLaw>>Article6:‘folkloreprotectionofcopyrightworksbytheStateCouncilseparately.’China<<CopyrightLawImplementationRegulations>>Article2:‘CopyrightLawreferredtoworks,literary,artisticandscientificfields,andcanhavetheoriginalcopyinsometangibleformofintellectualcreations.‘Wefoundthatthedefinitionofworkisrequired’insometangibleformofreproduction,‘andtheserequirementsclearlyfolkloreworkisverydifficulttodefine.1Weknowthatmostknowledgeispasseddownfromgenerationtogeneration,butitsconstantdevelopmentandinnovationofnewknowledgetofolkliteratureandarthistoricalthemestocreateoutoffolklore,andisseparatefromtheoriginalmaterialhastodeterminetheThecreationofthemainandspecificformsofexpression,butissometimesoverlapbetweenthetworelativelylarge,blurred,difficulttodistinguishwhichisourfolkliteratureandarttoexplorethemajorissuestoberesolved,butalsoourfurtherregulatefolkloremustfirstsolvetheproblem.LiuChuntianthatfolkloreisdefinedasasocialgroup(ratherthanthespreadinindividualcreativefolksongs,music,drama,story,dance,architecture,three-dimensionalart,decorativeartsofliteratureandartintheform[1].Ithink,folklorereferstothespecificnationalorregionalcollectivecreationofsocialgroups,throughthemouthandheart,imitation,etc.,passedfromgenerationtogenerationintheregion,reflectingtheregion’straditionalculture,customs,groupidentity,thenaturalenvironmentspecificcomponents,and2continuousdevelopmentforthegroupofliteraryandartisticworks.theprovisionsenumeratedtypecanabsorbandlearnfrom‘ModelProvisions>>thetypicalformofexpression,specificallydescribedas:1story,poetry,riddles,sayingrumors,legends,fables,mythsandotheroralorwrittenfolkliterature,twofolksongs,opera,instrumentalmusicandotherformsofmusicexpressionoffolkart,3)dancing,games,folkactivitiesandotheractivitiesintheformofexpressioninworksoffolkart,4shadow,papercutting,painting,calligraphy,clothing,appliances,buildingsandothertangiblerepresentationexpressedintheformoffolkart.Second,protectionoffolkloreproblems(AnuncertainclaimsofthemainFolklorereflectstheintellectualandcreativeachievementsisagroup,ratherthananyparticularindividual,itis‘themostoriginalcreatorsmaybeanindividualorafewpeople,butashistorygoes,itgraduallybecamearegion,anationasawholeworks,worksownershipandcopyrightoftheirproducetheseworksshouldbelongtothegroup,ratherthananyparticularindividual‘[2],whichwillleadtowho3istherealproblemofthoseclaims.folkloreoftheentirenationorregion’sculturalwealth,‘Somenationsorgroupsthatbelongtothenation’sworkissacredorreligious,donotwantknowntooutsiders,ifthefreereleased,regardlessofprofitornotwillseriouslydamagethespiritofthegroupinterest‘[3].(B)theprotectiontimeisnoteasytodetermineNowcountriesaretheintellectualpropertyforacertainnumberofyearstobecertainrestrictions,butthefolklorebecauseofitsspecialvalueformation,simplysetatimenotonlycannotbeprotected,itwouldberelatedtothelegitimaterightsoffreeuse,becauseAtthetimeofitsrenewalandthemainuncertainty.Weknowthatfolkloreisfromgenerationtogeneration,a...