AboutOnNatureinShakespeare’sroleSummary:Shakespeareestablishedbetweenmanandnatureinakindof“synesthesia”relationship.Earlycomedywithfertilityandvitalityofthegreenworldexpresshumanhumanistidealsofsocialharmony.Such“humanizednature”istheauthorpresetidealgivenabetterlife,asasupplementtotherealworldexists.interimtragedyortothenaturalworldandman’smoralwastelandwildernesslinkedornaturalstormsilhouettedagainstthechaosofhumansociety.wildernessworldisnotahumanattempttoemulatethelifeoftheworld,butpeoplecanself-contemplationfromthewildernessintheworldwithearlycomedyisdifferentinnature,thelegendarydramaofnature,isthe“naturalman”andimbuedwiththepowerofhumansubjectivity,andpeoplealsobecauseofthespiritofrationalnaturalandberaised.Keywords:nature,Shakespeare’splays,theroleofsynesthesiaAlthoughShakespearedoesnotfocusonthenaturalenvironment,butestablishedbetweenmanand1natureinakindof“synesthesia”relationships,asthenaturalbasisofsocialattitudes,butadifferentattitudetowardnature,sonaturalinShakespeare’sPlaystheeffectisnotthesame.Shakespeare’searlycomediesofthenatural,thedominanttendencyisto“man’snature,”thatShakespearecomedywillbeinthehumanistidealsnaturalized,withtherichnessandvitalityofthenaturalworldexpressesthehumanidealofsocialharmony.Interimtragedyofnature,isa“manofnature”and“naturalman”ofintertwined.formerrepresentsthenaturalworldandman’smoralwastelandwildernesslinkedwiththelossofconventionalnaturalheraldchaosofhumansociety,oranaturalsilhouettedagainststormychaosofhumansociety.lattershowedinsocialproductionpractice’s“alienation”andtherelationshipbetweenmanandnature“deterioration.”Andlatelegendarydramaofnature,thedominanttendencyisto“naturalpersons“andthatisnolongersimplythenaturalexistenceofobjectiverealityasthebackground,butafterthemainprocessednaturally.Naturealreadyhashumanfeatures,butalsobecauseof2thehumanspiritrationalnaturalandbepromoted.Course,the“people-orientednature”and“naturalman”ofnoessentialdifference,itisdifficulttocompletelyseparate,butfromthenaturalseeattitude,“naturalman”ofsubjectivityconcentratemorepower.AShakespeare’searlycomedytoneisbrightupbeat,praisethehumanistidealsoffriendshipandlove,whiletherealizationofthisideal,throughthegreenvisionoftheworldofnatureconstructed,namelyhumanrichnessandvitalityofthegreenInspiredbytheforesttoreachharmonyin<<happy“,theShakespearehadpassedthemouthoftheexiledduke,expressingtheloveofthenaturalworld:”Thesetreesaremorethanguessjealouscourtsecuritydo?wearefeelinghereto,butthetimingofthischange......ourlife,althoughfarfromthemaddingcrowd,buttheycanlistentotheconversationoftrees,theriverofthewaterisagreatarticle,astone’smicro,AnYuwasalsolearnedthateverythingmiddle,youcanfindsomebenefitstoandIwouldnotchangethislife.“(ActII>><<happyfirst①peoplelivinginnature,thereisnoearthlyworries,feeling3refreshed:“ZhangCuiscreenhightrees,whokaimeYanlying,turningthevoiceofjoy,learningtosingthebranchesbirds,......Headoftheconnected,spiritualdeedone.”(ActIIfifth<<happy>>fieldoccurredinthecontextofearlycomedy,oftenpoeticandvitalityofthenaturalworld:thequietforest,moonlight,bloomingflowers,chirpingbirds,lovetheflowerjuice,composedofearthlyEden.OKpleasantnaturalscenery,beautifulfeelingsandcharactersblendtoformtheassimilationofmanandnatureinthenaturalworldshinesgreenandappeal,bumpyandmuddytherealworld,absurdandunsatis...