Aestheticpictureofsecularlife─abasicunderstandingofthechangesofthe1990saestheticfashionSincethe1990s,theChinesecommunityinallaspectsofpolitical,economicandotherinstitutionalreforms,notonlycreatedawiderangeofstructuralvariationoftheentireChineseculturalfields,atthesametime,itisalsotheinternalspirituallifeoftheChinesepeople,resultinginacorrespondingprofoundchanges,continuetocontributetotherapidchangesofthevastnumberofpeopleinthespiritualorientationandvalues,andthustheformationofdifferentiationandreorganizationofthewholeChinesesocietyattheculturallevelofthespiritwhichalsoincludesthevariationoftheChinesesocietyofaestheticfashionfromtotalpointofview,inthe1990s,especiallyinrecentyears,China’ssocialaestheticfashionvariationshowingtodifferentiationbyauniform,byeducatemodetoconsumptionpatternsfromsocialactivitiestopersonalentertainment,fromspontaneoustoconsciousconversion,whichThebigchangeinsocietyasawhole1aestheticfashion.First,changethecurrentsituationoftheChinesesocietyinthe1990saestheticfashionItshouldbepointedout,aestheticfashionofthe1990ssocialchange,ithappened,thedevelopmentofspecificprocess,potentiallywithaclearideologicalposition,thatistogiveuptheculturalvalues​​ofthe“political-moralintegration”idealunderthepremiseoffullpublicitytothelifeofthepopularwillenjoytherightsofitsrealitymanifestationsdirectlymeettheneedsofthepursuitofpersonallifeinterestsintheactivitiesofdailyliving.Obviously,thisideologicalpositionsappearwiththeChinesesocietyinthe1990soverallstructuralchangeandculturaltrends.1990sChinesesocietyitselfinaconstantlyclosetothecenterofeconomicactivityintotheprocessofstructuraladjustment,duetotheculturalvalues​​ofthesocietyasawholestructurebegantofullyembodytheeconomy──commercialinterestsdominant,soforChinesesocietyandthegeneralpublicinthe1990s,theimplementationofthebasicobjectivesoftherealityactivitiestotheprocessofaccumulationandpossession2ofmateriallife,theimplementationofdirectconcreteontopoftheday-to-dayenjoymentisashouldandtheveryrealvalueofthebasicstructureandbecauseoftherealityofsocialandculturalprospects.throughoutthe1990s,Chinesesociety,“economiccenter”isbothaveryattractivesocio-politicalprogram,whilerealactivitylevel,itisalsothespecificlifebeliefsandvalues​​ofthecoordinatesoftheChinesepublic,istoguidepeopletoconsciouslytransformationoflifeandincreasethebasicstrength.AestheticFashionofthe1990ssocialchange,itissuchapotentialideologicalpositionsexpandthat,aneraofsocialAestheticFashionalwaysreflectsthiseraculturalpresenceofitsvalueorientation,thenChinesesocietyinthe1990saestheticfashionisreflectedintheeconomicinterestsofthepowerfuldriveawarenessoftheirownlifeanew,self-consciousrequirements.fundamentalofthisrequirement,itisthatitisfullyemphasizedreallifemeetthenecessityandabsolute,emphasizedthedirectpossibilitytoachievepublicenjoymentoflifethroughmaterialpossessionsandconsumption.thus,wecanfind3alife“aesthetic”picturefilledtheentiretopofthesocialprocess,hasbeenverySpecificallyreproduction1990sChinesesocietychangetheoveralllookoftheaestheticfashion.“aesthetic”hasbecomethevisualrealityofChinesesocietytoday.Tosumup,thislife“aesthetic”means:first,themassdailyneedsdirectlymeetboththeculturalconstructionofbasicvaluetarget,butalsothegeneralpublicforthedirectionofthedevelopmentofsocialandculturalprovisionsculturalprodu...