AnalysisofcontemporaryChineseanimationcreation[PaperKeywords]Chineseoriginalanimationanimationnation[Abstract]Chineseanimationhasbeenfromthebeginningofthebirthoftheworldwhenthebrilliantanimation,intoanawkwardposition,andimprovenationaloriginalityisthekeytothedevelopmentofanimation,wemustclearlyrecallonouranimationartgainsandlosses,theerrorsoftheChineseanimationandhowtoclearouterrorsforresearchandanalysis,toprobetherevitalizationofcontemporaryChineseanimationpath.ForewordCulturalindustriesasaseparatecategory,theanimationisalreadyintheglobalentertainmenteconomydoanythingitsetsvideo,audio,printing,travel,advertising,education,clothing,toys,stationery,network,electronicentertainmentandmanyotherindustriesinone,inthecontemporaryeconomicpatterncalledpivotalbinedwiththebroad-audiencemovie,bothlovechildren,butalsoyoungfriends,isalotofofficeworkerspastimecontent,thescreenisalsohighlyconcernedabouttheirparents,‘tutor’inallageshavewithdifficulttogiveupaloyalaudience,itsimpactwassignificant.Thus,t---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---hestatusoftheanimationindustryinChinaismoreandmoretheconcernofgovernmentandsociety.China’snationalanimationmarketandindustrysituationhasnotoptimistic:theworldofpopularJapanesefilms,Americanfilmsinthedomesticmarketunimpeded-takeourmarketshare,drivenbytheJapan-USanimationderivativeproductsmarketing,andhasbeenculturedforseveralgenerations.‘importedfilms,‘theloyalaudience,andthissituationcontinues.subjectedtoprolongedattackofthenationalanimationindustry,thevariousfactorsintheproblemsunderthesituationquiteembarrassing.1,thestatusofChineseanimationindustryChinahavehadextraordinaryperformanceanimation:Disney’sfirstanimatedfilmtoshoot《《SnowWhite》》Soon,September1941Wan’sbrotherinShanghaiwasAsia’sfirstsuccessfullaunchofalongcartoon‘ironPrincessfans》》Thefilmnotonlywelcomedbythepeople,butalsoasensationofSoutheastAsiaandJapan,althoughthestylingandperformanceandotheraspectsoftheactionisnotwithouttracesofDisney,butbasedontheChineselegendofthe《《PrincessIronFan》》---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---cartoonintheUnitedStatestobreakthemonopolyofChinesecinema,creatingChina’sownhistoryofanimatedfilmproduced.201960sand1980swastheeraoftwoflashcartoonmadein1985,beforetheanimationintheinternationalcommunityhasmadewonareputationcannotbeunderestimated-including《《HavocinHeaven‘,《《reedpipe》》,《《Conquers》》,《《threemonks》》’deerbells》》and《《Twodogswar》》of29cartoons,including44whoreceivedtheLondonFilmFestival,CannesFilmFestival,BerlinFilmFestival,MoscowFilmFestivalandtheZagrebInternationalAnimationFilmFestivalandmanyotherawards.themainreasonisthattheseChinesecartoonsareconsistentlypursuingitsownnationalcharacteristics,theworkisfullofdistinctiveChinesestyleanduniquenationalstyle.However,thereformandopeningup,manytakeadvantageofforeigncartoons,JapaneseanimationisoverwhelmingsweptChina,thedomesticcartooncausedahugeimpactinthedooropenandsocial,andculturaltransformationofdomesticcartoonsbegantolosewiththeUnitedStates,theabilitytocompeteontheanimation.Lookingaround,almostcartoon----本文于网络，仅供参考，勿照抄，如有侵权请联系删除---knowncontemporaryMainlandChinaisnotacreativeaboutthosestatisticsbeforethedomesticanimationmarket,morethan90%occupiedbyforeignanimation,andmoretha...