ChinesefilmsofsocialcognitivethinkingandanalysisofChina’sfilmreflectionandanalysisofsocialcognitionAbstract:TheMovieistheexpressionofasocialconsciousness,withthecorrectlevelofthoughtgiventothesocialimpactandastrongimpetustothefilmandconsciousnesslinkedtothestudyofChinesefilmcommunityisdiligentlypursuingtheidealofmanyartists.ThisfromtheChinesefilmcommunity’sculturalmoodofthefilmsocialcognitionarediscussed.Keywords:Chinesefilm,cognition,mood,andculturalWiththebirthofthefilmappearedinthefilmtext,thewritingsonfilmtheoryandrhetoric,becauseofitsinherentaestheticmeaningandculturalimplication,ofcourse,especiallybythepeople’sattention.People’sinterpretationanddefinitionoffilmtheory,hasalwaysbeendifferentopinions.Someproposedfilmtheoryisthestudyoffilmfeaturesandpotentialofscience,somebelievethatitisthegeneralthinkingofthewordsinvolvedinthefilm;somepropositionsbasedoncertainphilosophicaldedicationtothefilminterferencequestionandverify,throughsomedetailedanalysisofcharacteristicsestablishthestatus---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---ofartfilm,andsomeconcentratedontheargument,fullofrationalspeculativelight,andsomecommittedtoexperience,summedupwiththeperceptualcharacteristicsofpeopleatdifferentlevels,differentangles,indifferentlanguagestoexploreandstudythefilm,toformavarietyofstatementsandtheoreticalform.First,themoodofChinesefilmtobeseenascognitiveconceptionthehighestlevelofancientChineseliteraryworksofthehigheststandardsandcommentsfromtheperspectiveofthedevelopmentofChina’sfilm,themoodisinthelonghistoryofthegradualprocessofdevelopmentandtheformationoftheMingthinkersofthelateQingWangFu-chihmadeintheirpoeticsingeneralaveryexcitingandheputtherecordinthissensethemoodofthestructureandcompositionischaracterizedbyexpansion:alineofhairdoesnotshapetheinvisiblevisiblekinginthissummary,thecontainsthreelevels:physical,notshaped,invisible.Asaresult,themoodofthenarrativethatthetraditionalChineseconceptofthecontactisevenmoreapparent.moodalsocanbeunderstoodasvirtualandrealunity,theunityoffiniteandinfinite,instantaneousandeternalunity.---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---1ChinesemoviescreenmoodPortraitandlandscapepaintingscanachieve“Vivid”,buttheformerismainlytheperformanceofthepeopleportrayedinthespiritualrealm,onlytosomeextenttoshowtheauthor’sspirit,whilethelattermainlytoconveytheartisthimselfthespiritualworld,thesetwoWhilethoseinthe“Vivid”reachedunderthebannerofunity,buttheyeachfocusondifferent,whichisobvious.Thisis,inChinesefilmsarebasicallythesame,forexample,wearestrongintheplot,orstrongexternalactionfilm,thefocusisoftenthefateofcharactersandcharacterrelationships,butmostlytheauthor’sthoughtsandfeelings“stickers“totheabove,orgointo,butlesspeoplespeakofthelens,theaudiencewillgetmorefromtheauthorofthoughtsandfeelings,suchasvideo《《YellowEarth》》《《TheNakedIsland》》andsoon.Fromthe“mood”thatpointtolookatmovies《《YellowEarth》》,webelievethatitisthefirstauthorofthislandgavebirthtotheirdeepfeelingscherish,itisnotthegeneralsenseofpatriotism,andnotonlyLikeLuXunasthe“Sorrow,Blame,”butbloodandtearsofhismouthtotalk.---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---(2)thevoiceoftheChinesefilmmoodmusicfilms,therearetwo,oneisanactivemusic,oneisthesilentsourceofmusic,butmusic,whetheractiveorsilentsourc...