AnalysisofthePostmodernContextofContemporaryChinesePaintingAnalysisofcolordesignoftheinteriordecorationofthemedicalspaceAbstract:Atthemoment,the“post-modern”ideologyofChinesecontemporarypaintingisundergoingasubtleimpactareaofthefaceofglobalpraiseorcondemnationofthe“post-modern”thinking,weneedtonewcombandthinking,thisdevelopmentofcontemporaryChinesepaintingarthasapositivemeaning.Postmodernconceptasa“foreignship”culture,infact,sincethe1980sadeepimpactonChineseartists,conceptartandartisticcreation.AlthoughthefastdevelopmentofmodernartinChina,butalsoveryavant-garde,butfromathethecontemporarypopularaestheticculturalperspective,itdoesnothavethetruesenseofthemass.FirstModernArtistoomuchemphasisonthevalueofthepaintinglanguage,overemphasisofconceptartandperformanceartist,andextremelyignoretheaudienceaestheticneeds,suchassomeperformanceartisfulloftheabsurd,painfulandbloody,ofthebroadmassesoftheseworksisdifficulttounderstandandac---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---cept(andevensomeoftheolderartistsalsocannotread,soonthetermsofscopeofChina,China’smodernartcanonlysayartist’sart,theartofafewpeople.Secondly,someofourcountry’smodernarttoomuchtocatertothetastesofWesterners,whileignoringtheirownculturalidentityandculturalstandpoint,suchaseriousdeparturefromtheartisticexpressionoftheguidingideologyofChina’sliteraryandartisticcreation.certainlynotwidelyrecognized,therewouldbetenaciousandlong-termvitality.Inthissituation,the“post-modern”culturethoughtsasmodernculture,anotherwayofthinking,itshowsthevalueandsignificance.Worldwide“post-modern”culturalcontext,China’smodernArtistsareconstantlyseekingnewwayofartisticexpression,artshouldnotonly“sacred”and“dignity”,wehavetofacethemassconsumermarket,artisticcreationfromthepursuitofartintheirownlanguagetheidealsoftheavant-garde,personalityandturntopopularculture,massaestheticidealperformancebecomeanewtrendinChina’smodernarttotherapidtransformationofthe“post-modern”,willbecomeanecessityIbelievethat,inthecontext---本文于网络，仅供参考，勿照抄，如有侵权请联系删除---of“post-modern”undertheinfluenceofChina’scontemporaryartofpaintingprominentchangeoccursmainlyinthefollowingaspects.First,someoftheartist’screativevalueschangedundertheimpactofthe“post-modern”art,theChinaAcademyofArthasthecharacteristicsoftheindustrialculturepursuesconsumer,somepaintersbidfarewelltothe80’skindoftheeternalpursuitofartisticcreativespirit,andtheartscreativeprocesstransformationintoyoureyesgluedtothemarket,andstrivetoprovetheirworthbymarketeffects.artist’screationdiscardtheoldergenerationofartiststogonorthwest,climbloessintotheQinghai-Tibettofindtherootoftheculture,physicalsufferinginexchangeforspiritualsublimationandideas,wishtoavoidthemajorthemesinthecreation,performancecontentjusttocomposelight,light,light,simple,soft,toQumeicommunity,getmoreeconomicprofit,artisticcreationhassignificantmarketvalues.Second,tohighlighttheartofpoliticalpopownPioneerposture.Recentyears,withthepost----本文于网络，仅供参考，勿照抄，如有侵权请联系删除---modernist“Eastmeetswest”,thenewgenerationofartcirclesorexperimentalcampeastofthewayofwisdomrestructured“after”discourse.either“89ModernArtExhibition”,“post-modern”misappropriation,ordifferentiationofthegroupsoftheartistsofthe1990s,eitherbyupsurging》...